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	<title>Historical Archives - London Korean Film Festival</title>
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	<lastBuildDate>Mon, 03 Oct 2022 06:48:10 +0000</lastBuildDate>
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		<title>The Admiral: Roaring Currents</title>
		<link>https://www.koreanfilm.co.uk/films/the-admiral-roaring-currents/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 03 Oct 2022 06:48:10 +0000</pubDate>
				<category><![CDATA[Choi Min-sik]]></category>
		<category><![CDATA[Kim Han-min]]></category>
		<category><![CDATA[Ryu Seung-ryong]]></category>
		<guid isPermaLink="false">https://www.koreanfilm.co.uk/?post_type=films&#038;p=5726</guid>

					<description><![CDATA[<p>First instalment in writer-director Kim Han-min’s historic epic trilogy, The Admiral: Roaring Currents is based on the historical Battle of Myeongnyang and its star naval admiral Yi Sun-sin (Choi Min-sik) who led a small fleet to improbable victory over a much larger Japanese fleet. Imprisoned and tortured for failing to neutralise a Japanese double-agent in...</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-admiral-roaring-currents/">The Admiral: Roaring Currents</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>First instalment in writer-director Kim Han-min’s historic epic trilogy, <em>The Admiral: Roaring Currents</em> is based on the historical Battle of Myeongnyang and its star naval admiral Yi Sun-sin (Choi Min-sik) who led a small fleet to improbable victory over a much larger Japanese fleet.</p>
<p>Imprisoned and tortured for failing to neutralise a Japanese double-agent in his ranks, Yi Sun-sin is recalled to his post when a second invasion from Japan appeared imminent in 1597. Dealing with a severely reduced naval force consisting of an estimated 12 warships following the fleet’s near-devastation during a major battle while he was imprisoned, Yi has scant time to rally his sailors, prepare his battleships and devise a defence against a Japanese fleet of more than 300.</p>
<p>The film recorded 10 million admissions only 12 days after its premiere and set a record in Korea for achieving such a high number of viewers in the shortest amount of time. The movie also surpassed <em>Avatar</em>’s record of 13 million viewers to become the most-watched and highest-grossing film of all time in Korea with 17.6 million admissions.</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-admiral-roaring-currents/">The Admiral: Roaring Currents</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
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		<title>The Surrogate Woman</title>
		<link>https://www.koreanfilm.co.uk/films/the-surrogate-woman/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 17:26:13 +0000</pubDate>
				<category><![CDATA[Im Kwon-taek]]></category>
		<category><![CDATA[Kang Soo-yeon]]></category>
		<guid isPermaLink="false">https://www.koreanfilm.co.uk/?post_type=films&#038;p=5661</guid>

					<description><![CDATA[<p>Shin Sang-gyu has a problem: he is the last male heir in his branch of the Shin clan, and despite the close relationship with a beautiful and still young wife, they have no children, no son to carry on the family line. Uncle and grandmother confer and decide to seek out a surrogate from a...</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-surrogate-woman/">The Surrogate Woman</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Shin Sang-gyu has a problem: he is the last male heir in his branch of the Shin clan, and despite the close relationship with a beautiful and still young wife, they have no children, no son to carry on the family line. Uncle and grandmother confer and decide to seek out a surrogate from a village of women known for providing such ‘borrowed wombs’. Ong-nyeo, only seventeen, is chosen for the role. When passion carries her and Sang-gyu well outside the limits prescribed by Confucian family duties, the result will prove lethal.</p>
<p>Im Kwon-taek had the confidence and wisdom to make Kang Soo-yeon his Ong-nyeo, The role was the most significant one of her career: it allowed her to shed the image of cheerful, sparky girl/teenager and become the most remarkable actor of the next decade and a half. While the film was not a success at first release, that changed dramatically when the Venice film festival awarded her Best Actress for 1987–the first international film star of Korea.</p>
<p>&nbsp;</p>
<p>Mark Morris</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-surrogate-woman/">The Surrogate Woman</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
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		<title>The Book of Fish</title>
		<link>https://www.koreanfilm.co.uk/films/the-book-of-fish/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 05 Oct 2021 13:00:26 +0000</pubDate>
				<category><![CDATA[Lee Joon-ik]]></category>
		<guid isPermaLink="false">https://www.koreanfilm.co.uk/?post_type=films&#038;p=3327</guid>

					<description><![CDATA[<p>Exiled to Black Mountain Island for his revolutionary ideas, scholar Chung Yak-jeon (Sul Kyung-gu, a regular from the films of Lee Chang-dong) forms a close, reciprocal bond with local young fisherman Chang-dae (Byun Yo-han), with whom he collaborates on an encyclopaedic, apparently apolitical book about the island&#8217;s marine life. The interactions between these two very...</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-book-of-fish/">The Book of Fish</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Exiled to Black Mountain Island for his revolutionary ideas, scholar Chung Yak-jeon (Sul Kyung-gu, a regular from the films of Lee Chang-dong) forms a close, reciprocal bond with local young fisherman Chang-dae (Byun Yo-han), with whom he collaborates on an encyclopaedic, apparently apolitical book about the island&#8217;s marine life. The interactions between these two very different men offer a dialectic about divisions (of class, gender, religion and politics) during the early nineteenth century from which modern Korea would be forged, even as the island, at first an undesirable backwater </span><span style="font-weight: 400;">‘</span><span style="font-weight: 400;">boondocks</span><span style="font-weight: 400;">’</span><span style="font-weight: 400;">, is soon revealed, under the wise influence of its new resident, to be a social utopia, and a model mini-state.</span></p>
<p><span style="font-weight: 400;">In this mostly monochrome epic drama, Lee Joon-ik (director of </span><i><span style="font-weight: 400;">Sunny</span></i><span style="font-weight: 400;">, 2008; </span><i><span style="font-weight: 400;">The Throne</span></i><span style="font-weight: 400;">, 2015; </span><i><span style="font-weight: 400;">Dongju: The Portrait of a Poet</span></i><span style="font-weight: 400;">, 2016) brings a beautiful, often bawdy collision of high ideals and harsh realities.</span></p>
<p>&nbsp;</p>
<p>The post <a href="https://www.koreanfilm.co.uk/films/the-book-of-fish/">The Book of Fish</a> appeared first on <a href="https://www.koreanfilm.co.uk">London Korean Film Festival</a>.</p>
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